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・ Jacques Lefèvre d'Étaples
・ Jacques Legardeur de Saint-Pierre
・ Jacques Legendre
・ Jacques Legendre (Canadian politician)
・ Jacques Legendre (French politician)
・ Jacques Legrand
・ Jacques Legrand (Mongolist)
・ Jacques Legrand (philatelist)
・ Jacques Legrand (resistance leader)
・ Jacques Legras
・ Jacques Leguerney
・ Jacques Leibowitch
・ Jacques Harvey
・ Jacques Hassoun
・ Jacques Heim
Jacques Heim (choreographer)
・ Jacques Henley
・ Jacques Henri de Durfort de Duras
・ Jacques Henri Lartigue
・ Jacques Henri-Labourdette
・ Jacques Herbrand
・ Jacques Herlin
・ Jacques Hermant
・ Jacques Higelin
・ Jacques Hilling
・ Jacques Hiron
・ Jacques Hitier
・ Jacques Hnizdovsky
・ Jacques Hodoul
・ Jacques Houdek


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Jacques Heim (choreographer) : ウィキペディア英語版
Jacques Heim (choreographer)

Jacques Heim is a French-born dance choreographer who founded Diavolo Dance Theater in 1992 after graduating from California Institute of the Arts. He was born and raised in Paris, France. As a young man, Heim moved to New York, and shortly thereafter received his BFA in Theater, Dance, and Film at Middlebury College in Vermont. He then moved to England and received his Certificate for Analysis and Criticism of Dance from University of Surrey. After his stay in England he came back to America, only this time to California, where he would receive his MFA in Choreography from the California Institute of the Arts.
==Diavolo | Architecture in Motion==
In 1992, Jacques Heim founded Diavolo | Architecture in Motion, a dance company based in Los Angeles, California. It blends modern dance, acrobatics, and gymnastics, creating a unique fusion that the dancers perform for audiences around the world. Diavolo is one of the most successful dance companies based in Los Angeles, partially because of its accessibility amongst a variety of audiences. Heim describes the work of his company, saying, "What we do is very visceral, very organic and very visual. An audience who's not used to going to see dance or theater can identify with it." Along with the unique movement style, what makes Diavolo different is the addition of a variety of structures that the dancers dance on and interact with. The human-to-human interaction as well as the interaction between the dancers and the structures, creates a struggle that Heim sees as a metaphor for "the absurdity of everyday life."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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